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Classical and ritual arts of Kerala
Cherumarkali,
is a harvest dance in which dancers, both men and women, move in a swift rhythm,
linking arms and donning red and white costumes.
Chakyarkoothu,
also known as Koothu, is one of the oldest classical theatre arts of Kerala.
This is a solo dance performing at the koothambalams of temples with
instruments like mizhavu and elathalam. Koothambalams are
special stages set apart in temple compounds for the performance of temple
art-forms. The performance begins with an invocation to the presiding deity of
the temple. The narration is enlivened with the thandava dance movements,
gestures and facial expressions developed according to the rules of the Natya
Sastra. Koothu is noted the way the artist takes digs at current events and
personalities, adding to its dramatic character. Any theme can be presented
under this art. The costume is colourful, bordering on the bizarre, with a
strange headgear.
Kaalavela:
This is a folk art, noted for the procession of huge, colorfully decorated
images of bulls.
Kalampattu
also called Kalamezhuthu pattu,
is an ancient folk-artform of northern Kerala. This 600 years old artform is
performed by a group five to fifteen people in Bhadrakali and Ayyappa temples.
The ritual is performed around a kolam - an elaborate picture, usually of
goddess Bhadrakali, drawn on the floor with five colors, and under the light of
blazing torches. The singers are neatly dressed, the women wearing their hair on
the side of the head. A series of special songs, kalampattu, are sung to
the accompaniment of nanthuni and elathalam, two traditional
musical instruments.
Kaliyoottu:
An eight day long colorful folk ritual which re-enacts the mythical combat
between goddess Durga and the demon Darika. This folk ritual has various stages.
On the last and eight day, a ritual called Paranettu - is performed on a
specially designed 100 feet high stage on which both the actors work themselves
to a frenzy for the climactic end.
Kanniyarkali:
A ritual art form with swift
dance performed to the accompaniment of
devotional folk songs and resounding beats of drum.
Usually performed in Bhagavathy temples.
Kavadiyattam:
A ritualistic dance in Subramanya temples. The devotees wear colorful dresses.
Kavadis are colorful bow-shaped wooden structures from six to ten feet tall,
carried on their heads by the dancers. The Ambalakavadi is looks like and
is decorated like a temple. The Pookavadi has stuck to it bunches of
colorful paper, cloth or plastic flowers. The resounding beats of percussion
instruments like
udukku and chenda and that renowned wind instrument of south
India, the nagaswaram, characterise the a kavadi procession.
Kolkali:
A group dance of
the farming communities in Kerala. Twelve to twenty four dancers move
rhythmically in a circle around the ceremonial lamp, tapping together the
two-feet long wooden sticks that they hold.
Krishnanattam:
A ritual dance in honor of one of the most famous gods of the Hindu pantheon, Sree Krishna.
This group performance, based on the Sanskrit text Krishna Geetha, spans over
eight nights. A dance with great importance for movements. The costume and
makeup of Krishnanattam bear traces of resemblance to Kathakali
and folk arts like Thiyattam, Mudiyettu and
Theyyam. Musical instruments like maddalam, elathalam and
chengila lend flavor to the performance. Krishnanattam is an
important dance performed in the Guruvayoor temple.
Kummattikali:
It is a temple art, also known
as the mask dance.
Kumbhamkali /
Kumbhamthullal:
Folk ritual dance of devotees of Lord Krishna, who carry pots on the head.
Kuthiottam:
A ritual exclusive to Devi temples of
South Kerala. A group dance with
songs including those in praise of goddess Durga and other deities,
padapattu or war songs and kalaripattu or martial songs. Instruments
used are mainly percussions, ganjira, bells and chaplankatta.
Faces decorated with paints and red curtains are used as partitions on the
stage, to enhance the frightening effect.
Mamangam:
This huge and wonderful festival is a replication of the cultural
extravaganza that used to be held every 12 years by the Zamorins (ancient rulers
of Kozhikode) in the middle ages. Royal families, principalities and
chieftains from all over Kerala used to participate in this great cultural event
which was held on the grounds of the Thirunavaya Navamukunda Temple at Ponnani
in the present day Malappuram district.
Thiruvathira:
This beautiful dance is usually performed on specially put up stages in
connection with temple festivals. The costume is the traditional white mundu and
melmundu of Kerala. The hair is gathered and put up at the side of the head and
adorned with jasmine flower
Mayilnritham /
Mayilattom:
Peacock dance
Oppana:
A Muslim bridal group dance
performed the day before the wedding day.
Padayani:
This colorful ritual art is symbolic of the victory march of goddess Kali
after she defeated the demon Darika.
The art form has some resemblance to Theyyam.
Patakam:
This art form is very similar to
Koothu on gestures and movements, but the narration is through prose and
song sequences. The costume is predominantly red - a red head dress and a red
silk wrist band. The performer also wears heavy garlands around the neck and
thick lines of sandal paste smeared across the forehead. Patakam is also
performed outside the temples.
Poothamkali:
A
folk art commonly performed in the Bhagavathy temples of Malappuram.
Pootham is the character who accompanied Durga in her combat with Darika. The
performers, usually three in number, undergo a week of austerities before the
presentation. Colourful and intricately designed face masks carved out of the
pala and murikku trees are the highlights of the attire. The fifteen
minute performance starts slowly and works up to a frenzy towards the end. The
thudi provides rhythm to the dance, performed at night.
Pulikali:
Also known as Kaduvakali, it is a
traditional art form in Kerala during festive seasons. Performers paint their bodies in
bright yellow, red and black spots and lines to resemble tigers, and dance to
the loud beats of percussion instruments like udukku and thakil.
It is a common art form during Onam season.
Sarppa Pattu:
This snake dance is performing to satisfy the snake
gods.
Thattumelkoothu: A devotional
dance performed on a special platform carried around the temple by
devotees, even as the performance goes on.
Theyyam:
The most outstanding of the folk
arts of Kerala, especially in the northern regions. Also called Thirayattam,
(because every thira or village performed this ritualistic art at the village
temple). This primitive ritualistic art demands long hours of preparation. The
Theyyam or Kolam,
represents a mythological, divine or heroic character. There are over 350
Theyyams in northern Kerala. The hood, headdress, face painting, breast plate,
bracelets, garlands and fabric of attire of each of these kolams are distinct
and meticulously crafted according to the character presented. The instruments
used are chenda and veekuchenda
(drums), elathalam and kuzhal (horn). This art form is mostly performed in
Bhagavathy temples. Performances are carried out between October and May. Thira
is the major subdivision of Theyyam.
Thidampu
Nritham:
700 years old ritualistic
art form of north Kerala. The dancer moves to the rhythmic beats of the chenda
carrying the thidampu on his head. Seven artists accompany him on percussion
instruments while two others hold aloft the ritualistic lamps. The artists wear
lots of jewellery and a decorated
turban known as Ushnipeetam.
Thiyyattu:
A devotional offering to
Bhadrakali and Sree Ayyappa. The performance usually starts at dusk. The artists
sing and dance to the rhythmic music of the chenda, elathalam and chengila.
Tholpavakoothu:
This art originated in the 18th century. Also known as pavakoothu (puppet play)
or nizhalattam (shadow play). An art of entertainment, is performed on the
special stage called koothumadam in the temple courtyard. Puppets (pavakal) made
of deer skin, usually representing four characters from the Ramayana, are
arranged behind a long white screen, in front of bright wick lamps. The puppets
are made to dance to songs from the Kamba Ramayana (the Tamil version of the
epic). The performance starts late at night and extends till the morning.
Thullal:
Another version of Koothu and is
characterised by simplicity of presentation, wit and humour. The inventor of
this art form is Kunjan Nambiar. The dancer himself sings the lead to the
accompaniment of the maddalam and elethalam. The three forms of Thullal are -
Ottanthullal, Seethankanthullal and Parayanthullal.
Very colorful costumes.
Vadithallu:
Resembling Kolkali, a folk dance
performed holding short sticks in both hands.
Velakali:
A most elaborate and spectacular
martial folk arts of Kerala.. Fifty or more performers in the traditional attire
of soldiers, bearing colourful shields and swords or long canes, dance with war
like steps in perfect orchestration to the resounding beats of the thakil,
suddha maddalam, elathalam, kuzhal and trumpets. A few fighting techniques of
Kalaripayattu are also displayed in the course of the performance.
Koothambalam:
Specially decorated hall in the
temple premises meant for ritual and art performances
Koothumadam: A stage
specially erected for certain ritual and art performances in the temple.
Temple Music systems prevailing in the state
Pancharimelam
/ Pandimelam:
The
traditional temple percussion music accompanying almost all art forms.
Panchavadyam:
The traditional temple music
accompanying processions and pageants. The five instruments are chenda; kuzhal;
edakka; elathalam, timila.
Important Rituals in the State
Ammankudam:
A ritual dance of devotees carrying holy pots on the head as offering to the
goddess. Usually performed in Bhagavathy temples.
Arattu:
A
ritual connected with the end of a festival. The idols of deities are
carried in procession to the river, where they are bathed. The purified idols
are then escorted back to the temple in procession accompanied by caparisoned
elephants, panchavadyam, nadaswaram and chendamelam.
Chandanakudam:
Ritual offering of coins in
earthen pots, in Muslim shrines . The pots are smeared with sandal paste, mouths
covered with white cloth, with a garland around the neck and three incense
sticks stuck into the cloth covering.
Chuttuvilakku:
Thousands of oil lamps fixed on the outer walls of the temple are
lighted.
Ezhunnallathu:
Ceremonial procession of the idols of a temple. The procession usually comprises
various cultural art forms, traditional temple music and elephant pageants.
Kodiyettam is the ceremonious flag hoisting ceremony denoting the beginning of
the festival or festive season in a temple, church or mosque.
Pallivetta:
Symbolic of Lord Vishnu hunting down the demon of evil in a forest. The
colourful procession attracts
devotees in large crowds.
Paraveppu:
A ritual performed in many Hindu
homes as part of a festival. The Para (wooden/ brass measure) heaped with paddy
is arranged in front of the house along with lighted lamp and other offerings
like fruit, jaggery and so on. The offering is collected by a procession of
elephants carrying the thidampu (idol of the deity of the temple)
Pongala:
This ritual offering to Goddess
Bhagavathy, is a preparation of rice, jaggery, coconut and plantains cooked
together in the temple premises.
Seeveli:
A ceremonial procession which
denotes the conclusion of the morning and evening pooja (devotional rites) in
certain temples.
Thalappoli:
A ceremonial procession, around
the temple, of maidens or women in traditional attire holding the thalam in
their hands. The thalam (usually a silver or brass plate) contains rice, flowers
and a lighted lamp - all of which symbolize prosperity.
Velichappadu /
Komaram:
The oracle of a temple usually dressed in red and carrying a sword and
shield. Possessed by the spirit of the deity this ritual character dances in a
frenzy at times of festivals and other special occassions in devi temples.
Koothambalam:
Special hall in the temple
premises for ritual and art performances
Koothumadam:
Stage specially erected for
certain ritual and art performances in the temple.
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