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Situated 23km on the river Narmada there are the main attractions near Jabalpur. Boating facilities are available here from November to May and moonlight boating along the "Marble Cliffs " is thrilling experience.

The rocks are floodlit at night for dramatic effect .However MP Tourism is heavily promoted it and views on this tourist spot vary from 'truly spectacular' to 'a total bust'. It really all depends on when you come. Steer clear of the place at weekends and on the right of the full moon as it is packed with local tourists. The best way to see the km ling gorge is by shared rowboat. These go all day every day from the jetty at the bottom of the gorge where the sign advertisers 'Boating without any thinking'. The cliffs at the foot of the gorge are floodlit at night. At the head of the gorge is the Dhuandhar or Smoke Cascade. All around the falls are hundreds of stalls selling marble carvings, much of it fairly clich�d but you can find some nice prices if you shop around and bargain hard. Above the lower end of the gorge, a flight over 100s tones Madanpur temple. This circular Temple has damaged images of the 64 yoginis, or attendants of the goddess Kali.

Dhuandhar Falls :-

The river Narmda after meandering its way through the "Marble Rock" ,plunges into a fall the roar of which can be heard from far.

Chausath Yogini Temple :-

It is dedicated to Goddess Durga and was built in the 10th century. The delicately carved statues of deities belong to the Kalchuri period.

Tilwara Ghat :-

Situated on the banks of Narmada, it is where the Mahatma Gandhi 's ashes were immerged in the river.

Madan Mahal Fort :-

It was built by the Gond ruler, Raja Madan Shah in 1116. A top rocky hill , it dominates the skyline.

Sangram Sagar & Bajnamath :-

Built by the famous Gond King Sangram Shah between 1480-1540, these are Medieval constructions.

Rani Durgavati Museum :-

Rani Durgavati Museum was named after the queen, the museum was founded in 1964. It is a collection

of stone sculptures and prehistoric relics. These sculptures are ichnographically excellent and are eloquently executed. In this collection are icons of Uma-Maheshwara (Lord Shiva and his consort Parvati), Ganesha (Shiva and Parvati�s elephant-headed son), Uma-Maheshwara playing Chauser (a gambling sport), Lord Vishnu (the Preserver of the Universe), Lakshmi-Narayana (the Goddess of Wealth with Lord Vishnu), Balrama (Lord Krishna�s brother), Vamana (Lord Vishnu�s dwarf incarnation), Narsingh (Lord Vishnu�s lion incarnation), Gauri (Parvati), Sarasvati (Goddess of Knowledge) and images of Jain saints.

The cult of the goddess Durga (worshipped as Shakti) gained prominence and became very popular in the Middle Ages. In the Rani Durgavati Museum is displayed a 36cm high sandstone idol of Durga, a specimen sculpture of Kalchuri art which was procured from Doni.

Sarasvati, the wife of Brahma (Hindu Creator of the Universe) is the patron of art, music and letters. Attended by a swan, she is depicted as a beautiful, fair young woman, often with a veena (Indian lute) and a book in her hand. Traditionally, she was the inventor of the Sanskrit language and the Devanagari script (Sanskrit and Hindi script). A circa 10th century a.d. sandstone sculpture of Sarasvati is now on display in the Rani Durgavati Museum.

Yoginis are lesser divinities in the cult of Shakti, and were widely believed to be sorceresses. This Museum has the sculpture of a seated Yogini, portrayed with four hands with a lion at her feet. It can be safely said that the cult of Shakti (Energy/Power) was a major source of inspiration for the art of the Kalchuris.

A 10th century red sandstone sculpture from Tripuri depicts the

story of a gamble between Shiva, the Hindu Destroyer of the Universe, and his consort, Parvati. They are seated on the slopes of the Himalayan Mount Kailasha playing Chauser, a gambling sport. Brahma (the Hindu Creator of the Universe) and Vishnu are shown amidst clouds with their consorts Sarasvati and Lakshmi respectively, while Bhairava, Virabhadra, Bhringi, Ganesha, Kartikeya and other devotees look on with great curiosity. The sculpture makes the ultimate result of the game seem more interesting than the game itself. Shiva is made to lose the game, and expressions of delight are visible on the faces of Parvati and all the female attendants.